PSICODINÂMICA DA CRIATIVIDADE
Resumo
Este artigo discute a Criatividade do ponto de vista de várias teorias psicológicas e formula um conceito operacional que pode ser usado para o treinamento da Criatividade.
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Referências
BERGSON, H.: "The Possible and the Real" - The Creative Mind, Andison, M. L. (trans.), Philosophical Library, Inc., N. York, 1946.
EHRENZWEIG, Anton: The Hidden Order of Art. Berkeley Univ. of California Press, 1967.
ERIKSON, Erik H.: Identity, Youth and Crisis. WW. Norton & Comp., loc., N. York, 1968.
GILFORD, J. P.: The Nature of Human Intelligence, McGraw Híll, Inc., USA, 1967.
KRIS, E.: Psicanálise da Arte, Ed. Brasiliense, São Paulo, 1968.
KUBIE, Lawrence: Neurotic distortion of the Creative Processo University of Kansas Press, Lawrence, KS, 1958.
LEE, Harry B.: "A Theory Concerníng Free Creation in the Inventive Arts", Psychiatry, Vol. 3, pp. 283 - 286-292. The William Alanson W. Psychiatric Foundation, Inc., 1940.
REYNOLDS, C. R. - TORRANCE, E. P.: "Perceived Changes ín Styles of Learning and Thinking (Hemispherieity) Through Direct and Indirect Training" - The Journal of Creative Behavior, V01. 11, 1978.
ROE, Anne: "Psychological Approaehes to Creativitv in Science", Essavs on Creativity in the Sciences, N. York University, 1963.
ROGERS, Carl: "Toward a Theorv of Creativity", ETC - A Review of General Semantics, Vol. 11, pp. 250-258, USA, 1954.
ROTHENBERG, Albert: "The Process of Janusian Thinking in Creativity", Archives of General Psvchiatrv, Vol. 24, pp. 195-205, USA, 1971.
SCHACHTEL, Emest G.: Excerpts from Metamorphosis: On the Development of Affect, Perception, Attention, and Memory. Basie Books, Ine., Publishers, New York, 1959.
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Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
